Loksatta, Jan satta, Wednesday, 29/4/1992, Mayank Vyas
Talents Combine, Today – Arts, 1/1/1995
Fermantile Gagetle, 24/2/1995 Australia.
Akshay patel Bharatanatyam recidal was a model performance for aspiring boys. Better days are ahead for this young dancer who stood the test of time and training when score of other boys of his age after initial day of practice preferred to droop out of this difficult art. Indian Express, 20/4/1996, P. Subramanian.
The two transform the play in the realm of the mysterious, earlier they has successfully somunicated a difficult image on cyclorama. Girish Kanand's play, Naga Mandalam, Directed by promit Ghosh. The Indian Express, 23/9/1996, Sanjay Bhave
The Sunday Times of India, 21/12/1997, S. D. Desai
of the Mystical on the conclution night of OSHO full Moon celebration at the commune yesterday. Mid Day – Pune, 10/7/1998
, Rajkot. Famous Seven dancers has performed Aaj Kal, Akila, Saanj Samachar and Gujarat Samachar, 2/10/1998
, speak, act, dance with sequences based on martial arts showing the perpetual fight for bounday and space with each invading the other. The Sunday Times of India, 4/10/1998, Anjou Chazot, Musaffir.
Akshay has gained ground in the field of dance with leaps and bounds. The Times of India, 29/10/1998, Back Beat
The bullet inself must have been a journey for those who performed since many learnt a new language. The Asian Age, 7/1/1999
- The play name is Jhoothan. The sunday times of India, 28/3/1999, S. D. Desai.
Born in the village of usmanpura agile bodied yet strong looking Akshay Patel has come a long way at 23, he has visited many countries and has many laurels to his credits. The Asian Age, 2/4/1999
Mallika Sarabhai enact leila act as they perform Krishna, a Ballet An Asian Age, 7/11/1999
The Indian Express, 10/5/2000
Ouverture du festival de martigues Chirac – Un paint pour les guges – Martigues accuesslle le monde. La Marseillaise – 25/7/2001
Akshay Patel a gifted young dancer, entroalled the audience with the sword dance from Manipur. India in New York, 10/8/2001, Monika Joshi, USA
heyoo where a single part of the body was emphasised to reveal emotions. The Asian Age, 8/4/2002, Maulik Pathak
All the pieces received a thought process which commences with a strong the matic commitment and then went on to subsequent treatment in terms of music costume, lighting etc. The Times of India, 26/4/2002, Manisha Lavkumar
The Indian Express, 24/8/2002
Rajasthan Patrika, 28/7/2003
The Indian Express, 6/1/2005, Anurita Rathore
Performed in Gandhi Ashram. Divya Bhaskar, 24/4/2005, Vivek Desai